#Klaus stella glow free

Rusty, for example, is very quick and can move around the field fairly quickly regardless of terrain his counterpart in the Regnant Knights, Archibald, cannot, trading off speed for heavy hitting. Characters can move a set number of steps based on their speed and the type of terrain being fought on.

Battles are fought during “Mission Time” on a squared-off grid. To that point, the battle system is good, very good even, but not great. Even I'm surprised at this, as I'm a story-trumps-all kind of person, but I can only handle so much exposition before wanting to get down and hack at some enemies. But the story, though well done, just drags on and on and on. Granted, there are a lot of characters to introduce between Alto, Lisette, Hilda, her henchmen, the Regnant Knights, the Queen, the Witches, et cetera and so forth and so on. It borders on “interactive novel” at times. It's a good thing the story is gripping, though, because at times it seems like Stella Glow is all story and no gameplay. Beneath the myriad of weirdness, emotions get messed with-romance, loyalty, and deceit all find a home in the world of Stella Glow, and I found myself deeply caring about the characters in my party, actually compelled to keep playing to right such injustices which had been inflicted upon them. The Witches and the party of knights each have their own motives for defeating Hilda, which can be uncovered during optional conversations during “Free Time,” also forming bonds with characters a la the Shin Megami Tensei series. Always a strong point in Atlus games, the game's characters have notable depth. Once you get past the religious theme and the bizarre, drug-trippy similarities to Puella Magical Girl Madoka, the storyline is surprisingly gripping. This project requires Lisette, Alto, and the Knights of Regnant to find three more Witches to partner with Lisette and become the video game animé magical version of The Bangles, with just about as much walking but less like Egyptians. (Hilda's song turns everything to crystal because anyone who's watched Sailor Moon knows things obviously turn to crystal).

#Klaus stella glow free

So of course, Lisette is now key to a project, called the Anthem Project, to free citizens of the kingdom entrapped in crystal. Though players learn it a little later, it's a process called “tuning,” reining in the doubts and anger of a Witch's heart, and the only way for them to control their song. As players go through the prologue and learn the battle system, Alto's adopted sister, Lisette, spontaneously combusts and drags Alto into the black flames of her heart, because-surprise!-she's the Water Witch. Though humanity was able to quell the anger of the god with assistance from the hero Elchrist (seriously, the religion thing), Regnant took one beautiful thing away: the power to sing. So of course when Alto, our protagonist, hears melodic words coming from the forest, they belong to a song being sung by a witch, who happens to be Hilda, the Witch of Destruction. (Just kidding… that would never fly in gaming.) Fed up with humankind's “arrogance,” the god did the only logical thing and waged holy war. Regnant loved his people, and his people loved him, until they didn't because they're terrible humans and started producing plain red Starbucks cups. After opening with a scene of someone being “put down” in a fire (because animé reasons), we are treated to a village story of the god Regnant, who lived on the moon, whose name gets mentioned briefly and then is only referred to as “god.” Not “god of the moon,” “the moon god,” “the god of our world,” or anything of the like, just “god,” giving the entire game a bit of a religious-but-not-really vibe, especially when the characters discuss things they learned about “god” in “Sunday school.”